Kevin Bryan’s record reviews
Canned Heat,”Live in Europe 1973” (Salvo SVX031) The latest CD/DVD package in Salvo’s excellent series of recordings from the Montreux Jazz Festival captures the 1973 incarnation of Canned Heat in concert at the prestigious Swiss event. Inveterate record collector and larger than life frontman Bob Hite led an outfit which was steeped in the authentic spirit of the blues,and they were joined on four of the tracks here by veteran Texan guitarist and fiddler Clarence “Gatemouth” Brown, who added his own unique brand of showmanship to fine ditties such as “Please Mr.Nixon” and “Worried Life Blues.” Splendid stuff.
Steve Earle,”Live in Europe 2005” (Salvo SVX 037) Perennial protest singer Steve Earle is in typically honest and selfdeprecating form in another richly rewarding two disc set from the Montreux archives. Armed with just an acoustic guitar,mandolin and wheezing harmonica ,Earle regaled the audience as the city’s Stravinsky Auditorium with some choice extracts from his challenging repertoire,including the title track from Steve’s 1988 breakthrough album,”Copperhead Road” and some pointed examples of his flair for acute social commentary such as “Dixieland” and the sadly all too topical “Rich Man’s War.”
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Jim Keaveney,”Out of Time” (Available from www.jimkeaveny.com) Keaveney’s name may not be familiar to all but the most dedicated devotee of authentic Americana but “Out of Time” is actually the Texas based performer’s fifth album,and if its four predecessors were anything like as good as this they must have been rare works of art indeed. Jim’s music is a beguiling throwback to the golden age of the singersongwriter,prompting comparisons with the likes of Dylan,Woody Guthrie and Townes van Zandt as he serves up free flowing and tuneful gems such as “From The Black,” “How Was I To Know” and “Eugene To Yuma” for your listening pleasure.
Erja Lyytinen,”The Sky Is Crying”(Tuohi THC001CD)This impressive new CD finds Erja Lyytinen paying homage to the rich musical legacy of Elmore James as she tackles some of the legendary bluesman’s most compelling creations,including “Dust My Broom,” “It Hurts Me Too” and the emotionally charged title tune. Her vocals may still be something of an acquired taste, but surely noone could quibble about Erja’s instrumental prowess as the Finnish slide guitarist brings her modern sensibilities to bear on these stirring offerings from one of the leading lights of fifties blues.